Traces colonial histories of display and representation by entering the experiences of Indigenous, Black, and racialized individuals and communities. Critiques the racist colonial histories of European and European-descended collecting practices, such as "cabinets of curiosities," public museums, world's fairs, art galleries, and educational and scientific venues, moving to more contemporary contexts that include ethnographic film and internet culture. Focuses on creative strategies of anti-colonial and decolonial resistance in the work of artists, curators, museum professionals, and filmmakers.