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College of Extended Learning

Revision Challenge: From Draft to Polished

Start the challenge with a flawed piece; end with a much readier-to-be-published work.

If you started writing but got lost in the middle, or wrote a novel but aren’t satisfied, or wrote a novella or a nonfiction work but are nervous about sharing, then this course is for you.

The editing challenge aims to teach how to get the best out of your stories when you’re working on your own. The challenge begins with big picture matters and concentrates on one element at a time. (Grammar’s not on the list.) We’ll dive into themes, scenes, descriptions, characters and more during class and you’ll apply the principles to the rest of your manuscript at home each week (2 to 3 hours depending on the length of what you’re editing). Lots of discussions.

Before class starts, please submit the first 2500 words of a novella or a novel you wrote so the instructor gets a glimpse of your style.

Materials

Notebook, pens, highlighters, colored markers, cue cards or post-its, stickers, loose paper, scissors, tape, your manuscript.

Week 1: Story essence

  • Tell your story
  • Story versus plot
  • Themes
  • Thematic arc (hero, antagonist, side characters)
  • Foundation statement, premise, blurb
  • Self-care and hope
  • Homework: Condense your story to its essence

Week 2: Reinforce your message

  • Titles
  • Five phases + a bunch of questions
  • Scenes: Love it, hate it, meh
  • Develop literary objectivity
  • Homework: Cut irrelevant scenes

Week 3: Add scenes that matter

  • Story math
  • Genre and necessary Scenes
  • Character contributions and descriptions
  • Reorganize your plot
  • Tap into your creativity
  • Homework: Add missing scenes

Week 4: Perform Plot Surgery

  • Reveal and rebuild your story skeleton
  • Active versus passive scenes
  • Thematic arc checks: multiple heroes, antagonist, side characters
  • Analysis mindset
  • Homework: Reorganize

Week 5: Reevaluate your writing

  • “Boring” scenes: Reflection versus action
  • Dialogue versus description
  • Perspective in a scene
  • Narrative summary versus line by line movement
  • Celebrate your greatness
  • Homework: Identify rough spots. Rewrite them.

Week 6: Check decor touches

  • Motifs, sub-themes, secondary plot arcs
  • Comedy, romance, stakes
  • Listening, pacing, banality, outside-in
  • Personify your inner voice
  • Homework: Revise your scenes

Week 7: Modify your word use

  • Character description and backstory
  • Weak words, filter words
  • Make it fun
  • Homework: Eliminate weakness

Week 8: Share

  • Let’s read your awesome new stories.

Fall term

Thursdays, Oct. 10 to Nov. 28 (8 weeks)
6 - 8 p.m.
UNB Fredericton
Marshall d'Avary Hall, 10 Mackay Drive, room 321
$180 (+ HST)

Register now

Winter term

Thursdays, Jan. 30 to March 27 (8 weeks, no class March 6)
6 - 8 p.m.
UNB Fredericton
Marshall d'Avary Hall, 10 Mackay Drive, room 321
$180 (+ HST)

Registration opens Oct. 18.

About the instructor

Ann Kitching (BA, B.Ed, M.Ed) is a former teacher with almost 20 years in education. After seven years as a middle-school French teacher in Nackawic (Canada), she moved to Dubai (United Arab Emirates) where she taught kindergarten to university.

After early retirement in Fredericton, NB, she wrote and published nonfiction books on writing (“How to Plot and Write a Story,” and “Story Writing Basics”). Currently teaching A Novella Challenge at UNB, she continues to write and self-publish.